Crunch Time

November is always a busy month for art show preparation… then comes December when Christmas is the focus of my time and energy. January means organization, creative focus, super productivity, sort of… and always that feeling that “I’ve got all month to get caught up on lots of artwork that needs finishing.” I have absolutely  been working steadily since the new year began, and loving being back in my studio… but I’m still trying to get a few pieces ready for this weekend. I’ll be in IMAGES, a festival of the Arts in New Smyrna Beach this Friday, Saturday and Sunday (Booth 21). It is always a really nice show with wonderful patrons and visitors. If you decide to come, stop by and say hello.  I will (if progress continues as planned) have a new LARGE mixed-media piece to debut. It is a diptych (2 panels) over 6 feet long of an underwater reef with 3 turtles, a shark, jellyfish and lots of little fishes. I am using both hand-painted paper collage and acrylic paint on textured cradled wood panels. Don’t forget… BOOTH 21

Work in Progress:

The Process is Magical

Oh those “lazy days of summer”… they disappeared years ago; It was a very long summer though, broken leg and all.  I have spent much more time making art this summer than usual, due to my limited mobility. I am so excited to be focusing on combining many of the processes I have worked with over the last 5 or 6 years. I prefer using acrylic paint because it allows for a more intuitive approach to the artwork, due to it’s fast drying time. I love printmaking, and paper adds a tactile element to my art. I also love wax… it’s wonderfully fragrant and can enhance the mood of a piece. My current path is leading to a merging of those mediums. I “print” the paper with design using stamps, stencils and found items, then use my painted or printed paper to create the composition and finally finish the piece with acrylic glazes and paint and sometimes a layer of beeswax to tie it all together. The very best thing about this is that I LOVE each step of the complicated process. The finished pieces have wonderful depth, texture and the design draws the viewer to stop and look closer… I hope.  Connecting with the viewer is always my end goal.

The subjects of these new works are varied. Along with adding to my series of strong, confident and feminine women and girls, I re-visit my love of the tropical landscape and the ocean. The latest large pieces combine the figurative work with the landscape. The time involved in completing new pieces is considerably longer than just using paint, but the process is magical for me. It’s like taking a puzzle or image that has not been fully imagined, deconstructing it and piecing it back together with bits of design painted on paper. I love solving problems… and there are many opportunities for that, throughout the process.

Moving forward in an unfamiliar direction is not always easy. It can be scary to present “new work” to a host of critics;  we artists are fragile at times.  Most artists understand that change is inevitable… it’s tied to creativity. All the more reason to enjoy the journey, and the challenges that expose those creative opportunities.

It’s Not Cheating

photo_1

Yes, I shoot 99% of my photography with my iphone, it works well for me. As a painter and mixed-media artist,  I rely on visual inspirations every day. Most artists will tell you they “see their world differently”, and I feel that way too. I can find inspiration looking out my window, taking a walk, books, galleries, museums and of course online. Shooting with my phone works well for me. I can scan through images when starting a new project or when I’m too tired to actually pick up a paintbrush… Sometimes I end up with a image I love so much, it becomes the art.

I love to share my newly crafted images with my family… so excited about the possiblities, like turning things PINK. It never fails, I show one of my sons what I’ve done and his exact words… everytime, because he loves to tease me,  are: “It’s Cheating”.

I like to play with images the way I push color and design in my artwork, and have three great ways to do that on my iphone.  The Apps are: Hipstamatic, Photo Toaster and my newest find… Pic Lab.

Hipstamatic
My all-time favorite, with Hipstamatic you choose you lens, film and flash options before you shoot. If you invest, as I have, in all the paks that are available… you will have a truly endless variety of combinations to work and play with. I have been using Hipstamatic since I got my first iphone. Love it!

examples of my hipstamtic shots

Photo Toaster

My friend and fellow artist Bridgette Guerzon Mills shared  Photo Toaster with me last year. I love having the post-shoot options to add filters, effects and frames. It saves time when shooting… if I see a subject I like, and get a sharp image to work with, I can alter it many ways.

images using photo toaster:

Pic Lab

THANK YOU Daily Post for sharing! I just read about Pic Lab last night and sat playing till my battery died :) So much fun! I love text… and adding text, borders, effects, shadows, did I say effects? I love everything you can do with Pic Lab. Yes… after about 2 minutes I opted for the paid version to increase the available options. It’s sort of like buying art supplies… you can never have enough.

images using Pic Lab:

These are my favorites. Hope you enjoy and give them a try. It’s not cheating.